|
>>
|
004009.jpg
Gypsy Ribbon Cream
004009
> Well, it also forms a supernatural compulsion for survivors of the attack to reform the basilisk in their minds. So it's supernatural. But just going "it's magic" is kindof boring, so... uh, what if the basilisk is "big"? Like, if you look at it, your brain tries to comprehend it, but it's too BIG so the sensory overload causes you to recoil from it violently. Cameras just burn up from too much "input", like if you tried to shine a laser through the lens and take a picture of that?
What a strange idea of a picture that is too big for your brain but still somehow fits on a wall in a pretty small room.
> Hm. Perhaps the image 'expands'? A superposition of all possible configurations of the basilisk, simultaneously imposed on whatever data incurs it all at once. Anything that can't process data, like matter, absorbs the excess photons simultaneously, but anything that creates data from data is overwhelmed with the impulse of parallel processing - and nothing in this universe is prepared to perform infinite parallel processes.
> Gladii, in contrast, is every possible incarnation of Gladii, which... mitigates it? I dunno.
I guess that would make it big in a way that it still fits on the wall. But also I'm not sure I understand what you're trying to say at all. Wish we could just ask the artist, right?
> How long ago was the camera installed? Halo guy might come back to check on his work.
Uuuhm... let's see maybe the camera can help... I fiddle with the buttons and I find something called meta-data aaaaand... The difference between the first picture and the final picture is is about 4 days and six hours.
> Breaking the mirror further to get a really fucked up reflection does sound like a neat idea for getting the gist of what the basilisk looks like.
> I think we could probably use the broken mirror to get a look at the basilisk, safely. As an extra precaution we could view the mirror through the live feed on a camera.
> But I don't expect there to be anything special in the next room, let alone evidence painted on the walls. We're already down an agent, we should do the coverup and get out.
While I am a bit curious, I also lean heavily towards never actually looking at this thing.
> Our orders are to eliminate the anomaly, by means. Is the anomaly the paint job in the next room, halo guy, or the deadly nature of the image?.
That's a good question. Let's see what Gladii thinks.
Fera: "Gladii-"
Gladii: "No."
Fera: "I swear this is mission critical."
Gladii: "Ugh hhghhh... Fine."
Fera: "What exactly is the anomaly? Is it the picture? Its deadly nature? Or is it the painter?"
Gladii: "What makes you think there's a p- hhghkkgh... a painter?"
Fera: "Oh the uh... The camera. They installed it before they went to work. And it caught them."
Gladii: "... hhHhhh... I see."
Fera: "So?"
Gladii: "So hHhh... it's not him. The painter I mean. The Agency term for that sort of thing is usually 'Person of Interest' or somesuch. hhHhhkkh... Between the other two... Does it matter? Destroy the picture and its deadly nature will be destroyed with it."
Fera: "You're sure??"
Gladii: "Educated... ghhhkkhhh guess."
|